Artworks

  • A digital portrait depicting a mixed-race Asian American woman. She is sitting in a power wheelchair and has a trach. She is wearing a striped pink and purple shirt, glasses, jeans, and has short dark hair. Behind her is a ring of very large and vibrant f
    Michaela Oteri, Memorial Portrait of Stacey Park Milbern, May 23, 2020
  • Albert Lanier, Albert, c. 1990s
    Albert Lanier, Albert, c. 1990s
  • Albert Lanier, Untitled (Circles), c. 1990s
    Albert Lanier, Untitled (Circles), c. 1990s
  • Albert Lanier, Untitled (Crescents), c. 1990s
    Albert Lanier, Untitled (Crescents), c. 1990s
  • Albert Lanier, Untitled (Grid Squares), c. 1990s
    Albert Lanier, Untitled (Grid Squares), c. 1990s
  • This work consists of 10 separate pieces of various single use plastics pinned to the wall in a rectangular arrangement. Plastics such as a black styrofoam tray (cut into two pieces), a red plastic cup, a white and a green plastic bag, blue face masks, or
    Ruth Tabancay, Adapting to New Substrates 3.0, 2022
  • This work is made of crocheted wavy, curled, and coiled strips of white, off-white, beige, and gray yarn pinned on edge to the wall with pieces closely touching. The crochet surrounds two styrofoam half spheres covered with coils of yarn held flat to the
    Ruth Tabancay, Bleached, 2022
  • Antonio Cortez, Breaking the Plastic Wave, 2022
  • Tess Felix, Courtney, 2022
    Tess Felix, Courtney, 2022
  • An abstract image with a background comprised of black and white interconnected circles approximately 1/8” in diameter. Random areas are lighter, almost completely white. The foreground has a large hot pink X and an orange and blue circle approximately 9”
    Irene Carvajal, Dominus et Servus, 2022
  • Paul Lanier, Eggleston Photo, 2022
    Paul Lanier, Eggleston Photo, 2022
  • Michal Gavish, Entanglement, 2022
    Michal Gavish, Entanglement, 2022
  • Lucia Ruth Soriano, Half Cool, Half Warm, 2022
    Lucia Ruth Soriano, Half Cool, Half Warm, 2022
  • An abstract image with a background comprised of black and white interconnected circles, approximately 1/8” in diameter. Random areas are lighter and almost completely white. These white areas are predominantly present in the middle of the image. One of t
    Irene Carvajal, Homo Zophobas Morio, 2022
  • Lilli Lanier, Origami Ruth Asawa, 2022
    Lilli Lanier, Origami Ruth Asawa, 2022
  • Lilli Lanier, Purple and Green, 2022
    Lilli Lanier, Purple and Green, 2022
  • Paul Lanier, Queen’s Bishop, 2022
    Paul Lanier, Queen’s Bishop, 2022
  • In this photograph, a beach at low tide fills the bottom two-thirds of the image. The beach is covered with huge piles of plastic waste, including bottles, cups, packaging, mixed with some small pieces of driftwood. In the distance, the tide is going out,
    Tanya Knoop, Shame, 2022
  • Paul Lanier, Should I Put This in Hambone’s Garage?, 2022
    Paul Lanier, Should I Put This in Hambone’s Garage?, 2022
  • An abstract image with a background comprised of black and white interconnected circles approximately 1/8” in diameter. Random areas are lighter, almost completely white. The foreground has two parallel vertical lines 1” x 11” made up of orange and blue 1
    Irene Carvajal, Styrax Appetitus, 2022
  • In this photograph, two nude figures, a man and a woman, lie on their backs on a trash-covered beach at low tide, each reaching a hand out to the other. Plastic containers and packaging are piled on, and embedded in, the sand that surrounds the figures, f
    Tanya Knoop, The Legacy of Adam and Eve, 2022
  • Dianne Platner, The Shroud, 2022
    Dianne Platner, The Shroud, 2022
  • Paul Lanier, Unexplained, 2022
    Paul Lanier, Unexplained, 2022
  • Lucia Ruth Soriano, Waterfall, 2022
    Lucia Ruth Soriano, Waterfall, 2022
  • Aiko Lanier Cuneo, White and Shadow #2, 2022
    Aiko Lanier Cuneo, White and Shadow #2, 2022
  • Tanya Knoop, Chapter 1: In Harmony for Tens of Thousands of Years, 2021
    Tanya Knoop, Chapter 1: In Harmony for Tens of Thousands of Years, 2021
  • This work consists of 19 separate pieces of various single-use plastics pinned to the wall in a diagonal square arrangement. Plastics such as black and white Styrofoam trays (some cut into smaller pieces), white, blue, and maroon plastic bags, bubble wrap
    Ruth Tabancay, Adapting to New Substrates 2.1, 2021
  • Michael Kerbow , Battle Royale, 2021
    Michael Kerbow , Battle Royale, 2021
  • Lilli Lanier, Blues and Greens, 2021
    Lilli Lanier, Blues and Greens, 2021
  • Tanya Knoop, Chapter 2: Capitalism and Industry All Over the World, 2021
    Tanya Knoop, Chapter 2: Capitalism and Industry All Over the World, 2021
  • Tanya Knoop, Chapter 3: I Me Mine X Billions, 2021
    Tanya Knoop, Chapter 3: I Me Mine X Billions, 2021
  • Tanya Knoop, Chapter 4: Yes, It’s Real, 2021
    Tanya Knoop, Chapter 4: Yes, It’s Real, 2021
  • Tanya Knoop, Chapter 5: Sixth Mass Extinction, 2021
    Tanya Knoop, Chapter 5: Sixth Mass Extinction, 2021
  • Jerry Barrish, Climate Change Denier, 2021
    Jerry Barrish, Climate Change Denier, 2021
  • Aiko Lanier Cuneo, Dancing Dots and Triangles, 2021
    Aiko Lanier Cuneo, Dancing Dots and Triangles, 2021
  • Dianne Platner, Discredit, 2021
    Dianne Platner, Discredit, 2021
  • Howard Hersh, Double Roundabout, 2021. Roundabout Series, 2020 - present. Acrylic on birch. 36 inches by 41 inches by 2 inches.
    Howard Hersh, Double Roundabout, 2021
  • Here, five or six wide strips that seem to have been ripped from magazines are layered one alongside another across a white page. Several of the strips include black text on a white background, one includes shiny bronze shapes, and the rightmost scrap is
    Joan Schulze, Next, 2021
  • Lilli Lanier, Pinks and Oranges, 2021
    Lilli Lanier, Pinks and Oranges, 2021
  • Kara Maria, Pride (African lion), 2021
    Kara Maria, Pride (African lion), 2021
  • In this piece, Schulze collages elements of black and white printed paper, text together with colored paper. We see, on the left side, layers of black and white botanical patterns and text, and, on the right, paper patterned with bands of purple, rust and
    Joan Schulze, Recovering Wonder-2, 2021
  • Howard Hersh, Roundabout, 2021
    Howard Hersh, Roundabout, 2021
  • Howard Hersh, Roundabout, 2021
    Howard Hersh, Roundabout, 2021
  • Howard Hersh, Roundabout 21-1, 2021. Roundabout Series, 2020 - present. Acrylic on birch. 48 inches by 48 inches.
    Howard Hersh, Roundabout 21-1, 2021
  • Howard Hersh, Roundabout 21-3, 2021
    Howard Hersh, Roundabout 21-3, 2021
  • Howard Hersh, Roundabout 21-5, 2021
    Howard Hersh, Roundabout 21-5, 2021
  • Corey Weiner, She Wants Something, But..., 2021
    Corey Weiner, She Wants Something, But..., 2021
  • Elizabeth Sher, Smoke Screen: Caged, 2021
    Elizabeth Sher, Smoke Screen: Caged, 2021
  • Michael Kerbow , The Oil Age, 2021
    Michael Kerbow , The Oil Age, 2021
  • The Paris Bowl. A delicate Chinese bowl - photographed and transferred as a black and white image onto fabric - sits at the center of a silk quilt. Layered around it are patterned concentric squares, formed from quilted panels. Immediately surrounding the
    Joan Schulze, The Paris Bowl , 2021
  • Rachel Ungerer, Will I Lose My Dignity, Invisible in Your World?, 2021
    Rachel Ungerer, Will I Lose My Dignity, Invisible in Your World?, 2021
  • Kara Maria, Wrath (European hornet), 2021
    Kara Maria, Wrath (European hornet), 2021
  • Line drawings of varied medications on a letter size sheet of white paper. Brightly colored pill bottles and liquid medicines fill the page. Behind, at top right, two small bottles of pills have text that states the number of days they are to be taken. Th
    Camille Holvoet, Medication, 2020
  • Naomie Kremer, A Tomb for Anatole (detail), 2020
    Naomie Kremer, A Tomb for Anatole (detail), 2020
  • Colorful marker drawing of two overlapping medicine bottles with stoppers. The left bottle contains a bright yellow liquid and has a white label reading “Anti-crying medication, makes me happy” and on the right, slightly in front reads “Anti-behavior liqu
    Camille Holvoet, Anti, 2020
  • Howard Hersh, Axis Mundi 20-2, 2020
    Howard Hersh, Axis Mundi 20-2, 2020
  • Howard Hersh, Axis Mundi, 2020. Acrylic, panel. 60 inches by 60 inches.
    Howard Hersh, Axis Mundi 20-3, 2020
  • Alisa Singer, COVID-19 and Climate Change, 2020
    Alisa Singer, COVID-19 and Climate Change, 2020
  • Rachel Ungerer, Disabled Strong, 2020
    Rachel Ungerer, Disabled Strong, 2020
  • Beth Fein, Dreaming Blue, 2020
    Beth Fein, Dreaming Blue, 2020
  • Alisa Singer, Drought, 2020
    Alisa Singer, Drought, 2020
  • Joan Schulze, Fata Montana #4, 2020
    Joan Schulze, Fata Montana #4, 2020
  • Keith Wilson, Forest Houses Series.04, 2020
    Keith Wilson, Forest Houses Series.04, 2020
  • Alisa Singer, Global Warming - Man or Nature?, 2020
    Alisa Singer, Global Warming - Man or Nature?, 2020
  • Michael Kerbow , Gorge, 2020
    Michael Kerbow , Gorge, 2020
  • Colorful marker drawings of various medications fill the page of this work on white letter-size paper. From left: five containers of pills in pink, orange, blue and green, a large bottle of orange medicine with a dropper top and a small filled cup behind,
    Camille Holvoet, Medication , 2020
  • Aiko Lanier Cuneo, One Hundred and Fifty Trapped Circles, 2020
    Aiko Lanier Cuneo, One Hundred and Fifty Trapped Circles, 2020
  • Beth Fein, Poet Dream, 2020
    Beth Fein, Poet Dream, 2020
  • Beth Fein, Reclamation #7, 2020
    Beth Fein, Reclamation #7, 2020
  • Alisa Singer, Scaling Up Renewables is Feasible, 2020
    Alisa Singer, Scaling Up Renewables is Feasible, 2020
  • Mary Curtis Ratcliff, Scrapworks XIV: World Grid, 2020
    Mary Curtis Ratcliff, Scrapworks XIV: World Grid, 2020
  • A digital portrait depicting a fat white woman with blue/purple dyed hair pulled back into a ponytail. She is wearing a crop top that reads "The Future Is Accessible" and a black plaid skirt. She is holding up a pen in her right hand while sitting in a wh
    Michaela Oteri, Self-Portrait, 2020
  • Liz Mamorsky, Street Jazz Series, 2020
    Liz Mamorsky, Street Jazz Series, 2020
  • Antoine Hunter, The Silence: American Sign Language Dance, 2020
  • Rachel Ungerer, They is loved: Pleasure in Pain, 2020
    Rachel Ungerer, They is loved: Pleasure in Pain, 2020
  • Kaocrew 'Yah' Kakabutra, Untitled, 2020
    Kaocrew 'Yah' Kakabutra, Untitled, 2020
  • Francesca Pastine, Untitled 2, 2020
    Francesca Pastine, Untitled 2, 2020
  • Aiko Lanier Cuneo, Waterdrops #3, 2020
    Aiko Lanier Cuneo, Waterdrops #3, 2020
  • Alisa Singer, Wealth and Carbon Footprint, 2020
    Alisa Singer, Wealth and Carbon Footprint, 2020
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
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