Artworks

  • Howard Hersh, Axis Mundi 19-2, 2019. Acrylic, panel. 60 inches by 60 inches.
    Howard Hersh, Axis Mundi 19-2, 2019
  • Alisa Singer, Climate Refugees, 2019
    Alisa Singer, Climate Refugees, 2019
  • Corey Weiner, Corey in a Box, 2019
    Corey Weiner, Corey in a Box, 2019
  • Kara Maria, Every Murmur Becomes a Wave (gray wolf), 2019
    Kara Maria, Every Murmur Becomes a Wave (gray wolf), 2019
  • Howard Hersh, Expanded Migration, 2019
    Howard Hersh, Expanded Migration, 2019
  • A sixteen by twenty-inch digital color photograph of Gaelynn Lea, the singer/song writer in a performance space. She is quite short statured and is gesturing.
    Anthony Tusler, Gaelynn Lea, 2019
  • Alisa Singer, Global Costs of Sea Flooding, 2019
    Alisa Singer, Global Costs of Sea Flooding, 2019
  • David Ruth, Ice Head, 2019
    David Ruth, Ice Head, 2019
  • Howard Hersh, Migration 19-3, 2019
    Howard Hersh, Migration 19-3, 2019
  • Beth Fein, Reclamation #2 , 2019
    Beth Fein, Reclamation #2 , 2019
  • Beth Fein, Reclamation #6 , 2019
    Beth Fein, Reclamation #6 , 2019
  • Beth Fein, Reclamation #9, 2019
    Beth Fein, Reclamation #9, 2019
  • Howard Hersh, Skin Deep 19-5, 2019. Skin Deep Series, 2013 - present. Acrylic on birch and basswood. 48 inches by 48 inches by 4 inches.
    Howard Hersh, Skin Deep 19-5, 2019
  • Kara Maria, Sumatran Tiger, 2019
    Kara Maria, Sumatran Tiger, 2019
  • A highly decorated abstract ceramic mask with a bright yellow background blending into green at the eyes and strip of black with decorative dot patterns at the top. The eyebrows and eyes are bold. Dark lines and gestural marks with lines of dots to the ou
    Cedric Johnson, Untitled, 2019
  • A highly decorated ceramic mask with a dark purple background and bold features with suggestions of a head covering. The eyes have a solid dark green background, there are yellow highlights around the cheeks, and the whole face is covered with a mass of d
    Cedric Johnson, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Luisa Schultz, Untitled, 2019
    Luisa Schultz, Untitled, 2019
  • Howard Hersh, Ambiguous Migration, 2018-2020. From Migration Series, 2018 - present. Acrylic, birch, basswood. 16 inches by 16 inches by 10 inches.
    Howard Hersh, Ambiguous Migration , 2018-2020
  • Alisa Singer, Antarctica Ice Melt, 2018 (text updated 2020)
    Alisa Singer, Antarctica Ice Melt, 2018 (text updated 2020)
  • Michael Kerbow , A Search for Meaning, 2018
    Michael Kerbow , A Search for Meaning, 2018
  • Howard Hersh, Axis Mundi 18-4. Acrylic, panel. 60 inces by 48 inches.
    Howard Hersh, Axis Mundi 18-4, 2018
  • Kara Maria, Chimpanzee, 2018
    Kara Maria, Chimpanzee, 2018
  • Howard Hersh, Double Migration, 2018
    Howard Hersh, Double Migration, 2018
  • Corey Weiner, Estelle, 2018
    Corey Weiner, Estelle, 2018
  • Howard Hersh, Migration 18-1, 2018. Migration Series, 2018 to present. Acrylic on birch on basswood framework. 10 inches by 21 inches by 6 inches.
    Howard Hersh, Migration 18-1, 2018
  • Howard Hersh, Migration 18-2, 2018. From Migration Series, 2018 to present. Acrylic on birch with basswood framework. 10 inches by 23 inches by 11 inches.
    Howard Hersh, Migration 18-2, 2018
  • Howard Hersh, Migration 18-8, 2018. From Migration Series, 2018 - present. Acrylic, birch, basswood. 36 inches by 13 inches by 13 inches.
    Howard Hersh, Migration 18-8, 2018
  • A portrait of a twenty two year old white man standing. He is wearing a green t-shirt and grey-purple shorts and is barefoot. His arms are crossed in front of him in a confident stance. He is smiling a friendly smile. The materials used for the color pall
    Milan, 2018
  • A portrait of a twenty two year old white man standing. He is wearing a green t-shirt and grey-purple shorts and is barefoot. His arms are crossed in front of him in a confident stance. He is smiling a friendly smile. The materials used for the color pallet are strictly ocean plastic pollution collected from beaches, mostly Marin County beaches. The background is painted white with acrylic paint. The ocean plastic has been cut to fit in some areas but there is no paint on the plastic.
    Tess Felix, Milan, 2018
  • Kara Maria, Pangolin, 2018
    Kara Maria, Pangolin, 2018
  • Beth Fein, Reclamation #1 , 2018
    Beth Fein, Reclamation #1 , 2018
  • Michael Kerbow , Saturated Markets, 2018
    Michael Kerbow , Saturated Markets, 2018
  • Howard Hersh, Skin Deep 18-3, 2018. Skin Deep Series, 2013 - present. Acrylic on birch with basswood framework. 60 inches by 60 inches by 5 inches.
    Howard Hersh, Skin Deep 18-3, 2018
  • Corey Weiner, Thinking Estelle, 2018
    Corey Weiner, Thinking Estelle, 2018
  • Teddy Milder, Wall Constructions Triptych , 2018
    Teddy Milder, Wall Constructions Triptych , 2018
  • This quilt is hung vertically and features black-and-white transferred photographic images of the gifted ceramic Chinese bowl at the heart of the show, in different sizes. Three are positioned along the top band of the quilt, the others seem almost to “tu
    Joan Schulze, 13 Bowls, 2017
  • This quilt is composed of some twenty-odd black and white images of the Chinese ceramic bowl at the heart of this exhibit. In 2016, on returning from exhibiting her work in China, the artist received the patterned bowl wrapped in layers of Chinese-languag
    Joan Schulze, A Long Time Ago, 2017
  • This silk quilt is vertically oriented. On a panel across the top are transferred two photographic images of the small, patterned, ceramic Chinese bowl at the heart of this exhibit - the image is transferred onto fabric as a black and white patterned bowl
    Joan Schulze, Auspicious Bowl, 2017
  • Anthony Tusler, AXIS Dance, 2017
    Anthony Tusler, AXIS Dance, 2017
  • Bold black letters from a wild variety of fonts in different sizes are printed in three rows on white paper, twelve inches high by twenty inches wide. The text reads “Being an Artist *, * Is The Best, feeling in the world!”
    Shana Harper, Being An Artist is the Best Feeling In The World, 2017
  • Bold black letters from a wild variety of fonts in different sizes are printed in two rows on a white canvas, thirteen inches high by eighteen inches wide. The text is centered and reads “Being Normal Is, Overated. *”
    Shana Harper, Being Normal is Overated, 2017
  • Howard Hersh, Dispositions of Structure 17-2, 2017. Axis Mundi Series, 2013 - present. Acrylic on panel. 32 inches by 36 inches.
    Howard Hersh, Dispositions of Structure 17-2, 2017
  • This quilt features the repeating pattern of a Chinese ceramic bowl, transferred from photographs onto silk fabric. The images of the bowls form a grid: four rows of three bowls, with the second bowl of the third row replaced with an abstracted black and
    Joan Schulze, Eleven Bowls, 2017
  • Anthony Tusler, Gimmee the Mic, 2017
    Anthony Tusler, Gimmee the Mic, 2017
  • Kara Maria, Kaleidoscope Eyes (green sea turtle), 2017
    Kara Maria, Kaleidoscope Eyes (green sea turtle), 2017
  • Joan Schulze, Not So Long Ago, 2017
    Joan Schulze, Not So Long Ago, 2017
  • This magnificent quilt fills a whole wall of the gallery and is composed of long strips of magazine images, the width of packing tape. Some of these strips are solid colors, some include imagery and/or text elements. The magazine-page strips are affixed t
    Joan Schulze, Opus, 2017
  • Aiko Lanier Cuneo, Quadrilaterals, 2017
    Aiko Lanier Cuneo, Quadrilaterals, 2017
  • Howard Hersh, Skin Deep 17-10, 2017. Skin Deep Series, 2013 - present. Acrylic on birch and basswood. 20 inches by 30 inches by 3 inches.
    Howard Hersh, Skin Deep 17-10, 2017
  • Howard Hersh, Skin Deep 17-17, 2017. Skin Deep Series, 2013 - present. Acrylic on birch with basswood framework. 40 inches by 40 inches by 4 inches.
    Howard Hersh, Skin Deep 17-17, 2017
  • Howard Hersh, Skin Deep 17-6, 2017. Skin Deep Series, 2013 - present. Acrylic on birch and basswood. 20 inches by 30 inches by 3 inches.
    Howard Hersh, Skin Deep 17-6, 2017
  • This quilt is made of white silk fabric stitched in black angular and swirling lines, perhaps referencing the calligraphic designs on the Chinese ceramic bowl featured in many of the show’s quilts. In this quilt, an image of the bowl at the center of the
    Joan Schulze, The Disappearing Bowl, 2017
  • Anthony Tusler, Maxi-Selfie, 2016
    Anthony Tusler, Maxi-Selfie, 2016
  • Kara Maria, She Will Hang the Night with Stars (northern spotted owl), 2016
    Kara Maria, She Will Hang the Night with Stars (northern spotted owl), 2016
  • Michael Kerbow , Critical Mass, 2015
    Michael Kerbow , Critical Mass, 2015
  • Liz Mamorsky has created a sculptural series of large-scale artwork that have an appearance of robots, or “Artbots”, with varying bold features, colors and sizes. Each of these three wall-hung sculptures is built on a wooden armature covered in reclaimed
    Liz Mamorsky, Tout Uncommon, 2015
  • Katherine Sherwood, After Ingres, 2014
    Katherine Sherwood, After Ingres, 2014
  • Teddy Milder, Circling Duende , 2013
    Teddy Milder, Circling Duende , 2013
  • Elizabeth Sher, Crossing the Digital Divide #2, 2013
    Elizabeth Sher, Crossing the Digital Divide #2, 2013
  • Elizabeth Sher, Crossing the Digital Divide #8, 2013
    Elizabeth Sher, Crossing the Digital Divide #8, 2013
  • Lia Cook, Su Series Intensity Data , 2013
    Lia Cook, Su Series Intensity Data , 2013
  • Lia Cook, Su Series Intensity Data Blue , 2013
    Lia Cook, Su Series Intensity Data Blue , 2013
  • Francesca Pastine, ArtForum 35, Unsolicited Collaboration with Bruce Naumann, 2012
    Francesca Pastine, ArtForum 35, Unsolicited Collaboration with Bruce Naumann, 2012
  • Francesca Pastine, Artforum 39, Unsolicited Collaboration with Guy de Cointet, 2012
    Francesca Pastine, Artforum 39, Unsolicited Collaboration with Guy de Cointet, 2012
  • Francesca Pastine, Artforum 40, Unsolicited Collaboration with Zoe Leonard, 2012
    Francesca Pastine, Artforum 40, Unsolicited Collaboration with Zoe Leonard, 2012
  • Francesca Pastine, ArtForum 41, Unsolicited Collaboration with Frank Stella , 2012
    Francesca Pastine, ArtForum 41, Unsolicited Collaboration with Frank Stella , 2012
  • This quilt is divided into three vertical panels. The leftmost panel looks as if it has been inked with black on white, creating the impression of a mostly black, textured surface; the rightmost panel is white, scored by many stitched lines of quilting. A
    Joan Schulze, Possession, 2012
  • Bill Bruckner, Self Portrait, 2011
    Bill Bruckner, Self Portrait, 2011
  • Liz Mamorsky has created a sculptural series of large-scale artwork that have an appearance of robots, or “Artbots”, with varying bold features, colors and sizes. Each of these three wall-hung sculptures is built on a wooden armature covered in reclaimed
    Liz Mamorsky, Techie Green, 2009
  • Lilli Lanier, Blue Origami Ruth, 2008
    Lilli Lanier, Blue Origami Ruth, 2008
  • This rectangular quilt is composed of varied rectangular panels, some stretching the full height of the quilt, some much smaller. The larger panels are darker grey-green and seem to contain close up photographic transfers of patterns - perhaps from the su
    Joan Schulze, Meditation Place, 2008
  • A standing figure wearing a green plastic drape represents the iconic Statue of Liberty. On her head red cone-shaped plastic objects form a spiked crown. She stands gazing through a black telescope with her lowered right arm holding an extinguished red to
    Jerry Barrish, Spying Liberty, 2008
  • Howard Hersh, Straight Forward Curves , 2006
    Howard Hersh, Straight Forward Curves , 2006
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